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Normal
Group for Architecture
A Brief History of Turbo Architecture, Srdjan Jovanovic Weiss

Turbo Architecture is a recently established term to classify buildings
of a mutated style, a merge between medieval forms, [i.e. Byzantium] executed
in imitating contemporary technological aesthetics [i.e. High-Tech]. It
is also a way of describing at large architectural production during the
crisis in Belgrade analogous to what 'Turbo' means in car industry, making
the cars go faster and sell faster within an existing or used shell. Beyond
this analogy Turbo Architecture is a direct urban expression of Turbo
Folk, a highly popular genre in Serbian music of the 90.' Its particularity
was a free sampling of both traditional and contemporary sources resulting
as a perpetuating mix of techno rhythms and traditional melodies. The
makers of Turbo Folk used
the isolation imposed on Serbia during the war in their benefit downloading
and copying any music sources from any place possible, free from copyright
laws that remained on the outer side of the isolation. Accordingly, during
the war and the isolation of Serbia, thousands of hundreds of buildings
and houses were built at a break-neck speed, even before the times of
nominal reconstruction. Entire families of architectural forms of all
scales from individual houses to large
complexes are now forming a new popular identity of the city. A peculiar
condition in the city that underwent a political crisis and yet was rapidly
expanding at the same time is the focus of this work.
http://www.normalgroup.net/turbo/
Housing
for Elderly Socialists

We are faced with yet another paradox concerning the growth of our global
population. How can we build for a gradually aging population in Belgrade?
The statistics report that in some countries more than a third of the
people are older than 50. This phenomenon, not entirely depending
on the level of the country's development status (Italy and Serbia for
example share the same percentage of the elderly population) will have
to be addressed by architectural decisions in the future to come. Many
questions and concerns are involved, however one seems to be the most
pressing: now, when the cities are getting more and more populated by
a younger professional generation, which by the statistics is in the minority
to the elderly one, where can the elderly feel to be a continuing part
of the population?...A new Florida? A new contingent of the exported pensioners
from Japan to Brazil or other 'heaven' on earth? Or another generational
ghetto-like situation for the elderly like the ageing Chelsea in New York?
The Eyes on the City is an alternative proposal for an elderly housing
complex aimed at Belgrade's baby-boomer
generation that looks for ways to relocate and continue post-professional
life in a place other than the place of professional life. A small city
in a country just emerging from the recent
catastrophe, now in line to join Europe, seems perfect for such attempt
in creative ageing. By using ramps, a sequence of spaces that are sometimes
open and sometimes closed, a sensitive connection to the top of the overlooking
hill, the architecture preserves the top of the
landscape together with the interior 'landscape' of the building. This
project may be apt not only for the challenge of the '68 generation, but
also for the promise of a bright future finally arriving to rescue society
from the ever-deferred realization of the communist past.
http://www.normalgroup.net/eyecity/
Biography
Normal Group for Architecture is a collaborative office between Srdjan
Jovanovic Weiss and Sabine von Fischer, founded in 1998 and based in New
York and Zürich. Normal Group designed and realized the offices of
Thread Waxing Space and Participant Inc., two non-profit art galleries
in New York City. They were also responsible for the award-winning project
- the BLUR - at the 2G Competition for the extension of the Mies van der
Rohe Pavillion in Barcelona. Other prize-winning competition projects
include Hotel Normal (Belgrade, 1998); tkts (New York, 1999); Kollektiv
(School extension - Liechtenstein, 2000). The office has also been involved
with cultural and theoretical discourse both in the form of installations
(Interactive Normalization iN.02, Belgrade; Manifesta 2002, Frankfurt;
Tirana Biennial, 2003) and writings (Harvard Guide to Shopping, City Fragments
and contributions to journals and magazines).
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