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The project theorizes some crossing points between the linguistic, the behavioral and the spatial aspects of the social production of meaning. It plays with the dichotomy of visual absence/signifying presence versus visual presence/signifying absence in order to expose certain cultural and sub-cultural structures in their performative roles. The images present sites of spontaneous popular inscriptions, re-inscriptions and their modifications which have been deleted, presented solely by accentuated blank surfaces pointing to the empty sites of some missing discourses.
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